


Upon returning recently from my latest adventures throughout sunny Florida, I have had the privilege of satisfying my urges to push quantities of work in an attempt to whet my more-so (recently) mania driven appetite in the realm of visual arts. This is not only because my "traditional" studio practice isn't quite as feasible to maintain outside the studio and on the road, but because of my tendencies to work several pieces at once, and to explore relative concepts that come to me organically and satisfy a certain physical or psychological need within me. Put another way, I don't work on a piece if I don't have the literal need to work on it; similarly to the way a person wouldn't make love or masturbate without the urge to do so.
That being said, it can be observed with practicality that I would return on such a trip that forces me to be exhausting more internal facets of creativity such as writing, poetry, note taking, meditation, photography, etc.; and now feel the need to work aggressive, experimental, physical, and visually oriented works.
Similarly to some of my more meditative work, this piece almost develops aesthetically from within the first marks of its original conception, and is only loosely controlled through the implementation of the process.
Essentially, I very quickly drew and re-drew the simple five lined star that we all learn to make in kindergarten- I did this over and over again using a variety of sizes from one inch stars, to one foot stars, and repeated this for a few hours every single day. Not only did this provide an insightful opportunity for aesthetic development and reflection at the end of every days session, but it provided a certain time slot for me to relax my tensions in the frustrations of art-making by venting creatively.
Many have likened this quality to some of my work as therapeutic, and suggested that I work more toward that field (art therapy), however; although I do not work against, or deny this observation- why must any/all other facets of art be lacking this self healing quality? I was led to believe very early, that this was always a major function of art, no matter what your subject, medium, or intent are. I hope we do not begin to compartmentalize this healthy function of art as a new trend or movement, but conversely- strive to fulfill that personal importance as an asset to any artists working philosophy, whether someone paints a vase, a figure, a circle, or a wall.
I will continue to work off of what was observed in this smaller scale study (2'x2'), and am already considering how I will go about making these into large scale pieces. Since I used only one blue ball point pen, on a scrap board painted over in house paint- I have allot of decisions to consider when making the leap to large scale.
No matter what I decide for the future works, I cannot help but be amazed in the beauty of the single star itself, and then the resulting pattern created by obsessive repetition, and aggressive spontaneity.
A Simple form, untactfully placed;
sequentially repeated, the unit erased-
marriage of function, disparage of form,
essentially deforming the symbol first born.
dramatic reformation is creative masturbation.
clean up your mess, it is time to embrace
this curious new form.
Taken From Joseph R Reeves Esq.
(The Life, The Writings, and the Essential Life Writings of Joseph R Reeves Esq: p.26, par.4, WPP. '09)






7 comments:
I really think this is a cool piece of work. I wish it had a price that I could pay for it because I'd probably buy. I don't know why, it's just so simple yet crazy and almost looks like you're looking up at the night sky. This is Stasik.
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Joe,
How come you don't allow comments on your "Last Great American Novel" page? Anyways, love the tree and stars, do you still make movies? You are living Kerouac mixed with Kafke designed by Dimitri Moor and drunk by Bukowski. Or rather: living the dream. Hope its not a nightmare.
Will
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